Key orchestra collaborations since then include the London Symphony (Rattle), Concertgebouw (Holliger), New York Philharmonic (Gilbert), Montreal Symphony (Nagano), Munich Philharmonic and Gewandhaus Orchestras (Langree), Rundfunk Sinfonieorchester Berlin (Janowski), Hessischer Rundfunk Sinfonieorchester (P. Järvi), Bamberger Symphoniker (Ticciati, Nott), Tonhalle Orchester Zurich (M. Sanderling), NHK Symphony (Kout, Stenz, Norrington) and Rotterdam Philharmonic (Rattle, Gaffigan, Nézet-Seguin). Recent concert highlights were her debuts with the Bavarian Symphony Radio Orchestra, the Philadelphia Orchestra and Boston Symphony Orchestra, the San Francisco Symphony Orchestra and Philharmonia Orchestra London, the Deutsche Kammerphilharmonie Bremen under Paavo Järvi and reinvitations to the Orchestre Symphonique de Montréal, the Frankfurt Radio Symphony Orchestra and the Munich Chamber Orchestra. Veronika Eberle was also noted for playing the Violin Concerto by Alban Berg at the Hamburg State Opera in a production of Lulu under Kent Nagano, celebrated by audience and reviewers alike.
Born in Donauwörth in southern Germany, she started violin lessons at the age of six and four years later became a junior student at the Richard Strauss Conservatory in Munich with Olga Voitova. After studying privately with Christoph Poppen for a year, she joined the Hochschule in Munich, where she studied with Ana Chumachenco 2001–2012. She was supported by various renowned institutions — including the Nippon Music Foundation, the Borletti-Buitoni Trust (2008), the Orpheum Foundation for the support of young soloists in Zurich, the Deutsche Stiftung Musikleben in Hamburg and the Jürgen Ponto Foundation in Frankfurt. Veronika Eberle plays on a violin made by the Italian violin maker Antonio Giacomo Stradivari.
