Carla Conti

Vice-Rector, Conservatorio Santa-Cecilia Roma.
Russia
Carla Conti is senior professor in the postgraduate course/Master in "Didactic of Music and Instruments" at the "Santa Cecilia" Conservatory of Music, Rome — Italy since 1999 She teachs Choral conducting and Choral Repertoire since 1994 (conservatories: Cosenza, Benevento).

More teaching experiences: Naples SOB University; Master Roma Tre University. She is the International relations/Erasmus+ coordinator since 2017 and member (now it's the second term) in the Academic Council of the Conservatory and member in the board of RAMI (Italian Association for Artistic Research in Music). She collaborates with Roberto Giuliani in book, CD and DVD presentations, Alziamoil volume, hosting the most important people in Italian music. Her academic qualifications: University Degree in Musicology gained at the University of Bologna — DAMS (Drama, Art & Music Studies) she graduated under Renato Di Benedetto. Diploma: she studied Piano with Carla Giudici; Choral Music and Choir Conducting; Didactics of Music (Music Education). Among her publications: Nobilissime allieve — della musica a Napoli tra Sette e Ottocento published by Guida Ed., Napoli 2003; Lo Stabat Mater di Clotilde Capece Minutolo della Sonora dei principi di Canosa in of the Archives for women's history, vol II, D'Auria, Napoli 2005; Amphion Tebas, Cantus Neapolim in "Studi sulla canzone classica napoletana" LIM 2008; Ai lumi dei suoni sacri in "Napoli città cantante" Mondadori Electa 2009; Per devozione e per diletto — Le donne e la musica a Napoli nel decennio francese in "Stato e Chiesa nel Mezzogiorno napoleonico" Giannini Napoli, 2011; Fenesta tricolore — Noi cantavamo I Passatempi Musicali di Guillame Cottrau — Guida Napoli 2013; Schedare per credere — Analisi dei repertori della canzone napoletana per la configurazione di una scheda condivisa (CNR, Issm); Canzone appassiunata, 90 anni tra identità e significati (CNR, Issm); Purzì scontraffatta. Le forme della canzone napoletana nella prima metà dell'Ottocento. (LIM 2014); De l'hortus clausus à la chambre de musique: l'enseignement de la musique à Naples dans la première moitié du xixesiècle in "Pratiques musicales féminines" Symétrie Lyon 2016. Among her recent participations in conferences: Roma 2015 (MusicaImmagine/Accademia Nazionale Santa Cecilia/Institutum Romanum Finlandiae) "Sibelius e la Canzone napoletana"; Berna 2017 (Berna University) "Matu vulive 'a pizza". Neapolitan song and cultural tourism; Roma 2017 e 2018 Università RomaTre (II e III giornata di Studio); Vienna 2017 (IKM / MDW "A dramatic song: consonances and dissonances of gender issues in the Reform of Music Education in Italy". She wrote a novel Non ti sfiora neppure, Homo scrivens Ed., 2012.